The upright goddess carries a naked boy on her left arm, facing the viewer. In her right hand she holds a jug. The figure is dressed in a floor-length robe that is tied over the left shoulder and leaves the right breast exposed.
The goddess is depicted with a naked upper body. The facial expression is determined by large almond-shaped eyes under curved brow arches. The long parted hair is gathered into a bun at the nape of the neck. She wears a tiara over her forehead.
The goddess Minerva sits on a throne. To the left of it is her round shield, which she holds with her left hand. She is dressed in a thin undergarment and a cloak that covers her upper body and shoulders.
The goddess wears a diadem over her forehead and her hair falls down to her shoulders. The facial features are only very roughly reproduced. She is dressed in a thin undergarment, the tunica, and an outer garment made of heavy cloth, the palla. The goddess is enthroned on a chair with a half-high backrest.
This safety pin-style garment clasp is an impressive example of how the Celts turned everyday objects into carriers of their extraordinary imagery.
The goddess Fortuna sits on a wide throne. She wears a crown of rays in her hair, which falls long to her shoulders. She holds the cornucopia in her left arm and an apple in her right hand.
Using simple plastic means, the sculptor was able to reproduce the characteristic body structure and movement of a pigeon. The bird appears to be walking on the ground and is looking intently to the side with its head slightly tilted.
The ram is depicted with short, curly fur and small horns that are close to the head. As the traces on the stone on the back show, it probably belonged to a larger relief.
The god Mithras, dressed in a belted undergarment and a Phrygian cap, carries a bull on his back. He grabbed the living animal, whose head reached almost to the ground, by its hind legs. A tree is visible in the background.
The muscular bull has hit his tail with the small tassel on the right side of his back. The stone under the belly was probably not removed by the sculptor for greater stability.
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