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Gem ring with Sol Invictus and Quadriga
The iron ring, only partially preserved, bears a roughly cut cameo depicting the sun god Sol Invictus. The god travels to the left in a two-wheeled chariot drawn by four galloping horses.
The iron ring, only partially preserved, bears a roughly cut cameo depicting the sun god Sol Invictus. The god travels to the left in a two-wheeled chariot drawn by four galloping horses.
The circlet of the finger ring consists of a wide band decorated with geometric dot and notch patterns. The oval plate in the middle is embossed with a depiction of the Spartan queen Leda with the swan.
This sandal adorned a delicate woman's foot. Its cross strap is decorated with fine gilding. The sole is cut out in the outline of the toes, the bottom is nailed along the edge.
The circlet of the finger ring consists of three wires placed next to each other, the middle one is decorated with a row of pearls. The ends of the two outer wires are shaped like snake heads. The oval plate is embossed with a depiction of the Spartan queen Leda with the swan.
The Carbatina for a man is made from a single piece of leather. The toe part, which has been largely supplemented today, consisted of a mesh of straps.
The rosette-shaped earring is made of sheet gold and decorated in two rows using the breakthrough technique. The outer row resembles small crescents or peltae that open inwards.
On one narrow side of the bronze belt fitting there are remains of a hinge in which the movable buckle of the belt was originally attached. The semicircular end on the other side encloses two round openings and has three small eyelets on the outer edge. The plate was inserted through the leather belt using pins on the back.
On the back of the bronze disc, which served as a belt buckle, there is a pin with a triangular eyelet attached at a right angle. The multi-colored enamel in millefiori technique on the front is striking. Two bronze dividers divide the disc into three concentric zones.
The small hinged brooch depicts a lion striding to the right. This lion turns its sculptural head towards the viewer. The body is decorated with green and orange enamel dots, the eyes are possibly inlaid with amber.
The fibula has a crescent-shaped headboard with red enamel inlay. The round middle part is decorated with blue and white enamel using the millefiori technique, and there is a red and a blue-green enamel field on the inside. The fibula foot ends in a stylized animal head.